Robert Brooksby from 1950 Studios and Marven Ellis from Smart Mouth Films are thrilled to announce the release of “Hollywood in Crisis!” This documentary examines the working-class employees within the entertainment industry in Hollywood, California. In the film, we speak with these individuals to uncover the reasons behind the Hollywood strike that lasted over a year and cost major studios $25 million each month. We also explore the fight against AI and the struggle for livable wages in the entertainment industry for those who are not millionaire actors or directors.
This documentary is distributed by LimitlessBroadcastingNetwork.com and is narrated by Samantha Brooksby. To watch the full documentary, please subscribe!
“Werewolf of Washington” is a 1973 horror-comedy film directed by Milton Moses Ginsberg. The story follows a politically ambitious press secretary, Jack Whiteman, who becomes embroiled in a series of bizarre events after being bitten by a werewolf. Set against the backdrop of Washington D.C. during a tumultuous political climate, the film cleverly intertwines themes of paranoia and political satire.
As Jack grapples with his transformation into a werewolf, he struggles to maintain his job and his sanity while trying to navigate the treacherous waters of politics and media. The film features a mix of humor and horror, poking fun at the absurdities of political life and the lengths people will go to for power. With its unique blend of genres, “Werewolf of Washington” offers a quirky take on the classic werewolf legend, making it a memorable entry in the horror-comedy genre of the 1970s.
“Grave of the Vampire,” released in 1972, is a horror film that intertwines themes of vampirism and familial ties. The story follows a vampire named Andrew (played by William Smith) who, after being killed, is buried in a graveyard. Years later, he is resurrected by a group of cultists seeking to harness his power. The plot thickens when Andrew discovers he has a son, who is unaware of his father’s dark legacy. As the vampire attempts to connect with his child, a series of bloody events unfold, leading to a climactic confrontation between the forces of good and evil. The film blends traditional horror elements with a unique narrative about the struggles of a father trying to reclaim his place in the world while battling his own monstrous nature. With its blend of supernatural horror and psychological drama, “Grave of the Vampire” offers a distinctive take on the vampire genre, exploring themes of identity, bloodlines, and redemption.
“Drive In Massacre” is a cult horror film from 1976 that combines slasher elements with dark humor. The plot revolves around a series of gruesome murders that occur at a drive-in theater, where moviegoers become the targets of a mysterious killer. As the body count rises, two inept police officers are dispatched to investigate the bizarre crimes, leading to a mix of comedic mishaps and suspenseful moments.
The film captures the atmosphere of the 1970s, featuring a mix of low-budget charm, campy dialogue, and graphic violence typical of the era’s horror scene. Its unique setting and blend of genres have earned it a place in the hearts of horror aficionados, making it a notable example of exploitation cinema from that time. Despite its rough edges, “Drive In Massacre” remains a fascinating piece of cinematic history, often appreciated for its entertainment value and nostalgic appeal.
Moon of the Wolf is an American TV movie that aired on September 26, 1972, on ABC Movie of the Week. The film stars David Janssen, Barbara Rush, Geoffrey Lewis, and Bradford Dillman, and was directed by Daniel Petrie, with a script by Alvin Sapinsley based on Leslie H. Whitten’s novel of the same name.
The plot follows a creepy tale set in a highborn Louisiana family with a dark secret. After a local girl is found mutilated in a nearby bayou, a local sheriff (played by Janssen) must use all his detective skills to solve the crime, with his investigation leading him to an old flame and her aristocratic family. The sheriff becomes convinced that the killer behind a series of grisly murders is actually a werewolf.
The film is described as a tight and eerie Southern Gothic creeper with an ace cast, a fun and engaging central mystery and it’s reminiscent of other supernatural TV movies of that era.
A quiet man lives above a bustling neighborhood, his life split between the world below and the shadowy sanctuary of the attic. When a neighbor reports strange noises and a missing person, a determined detective teams with a skeptical landlady to peel back the building’s ordinary veneer. Clues hide in dusty trunks, a torn photograph, and a diary that never should have been found. The attic, lit with stark high-contrast lighting, grows ever more labyrinthine as doors lead to half-truths and old grievances. The film weaves economical dialogue, rain on windowpanes, and the tactile sound of creaking floorboards into a taut sense of dread. As the investigation constricts the space, the audience learns that the attic is both sanctuary and snare—a place where a dangerous secret lives, guarded by fear and the weight of lived history. The final revelation lands with a cold noir sting: the truth may be hidden above, but it will pull the entire building into its orbit.
The Little Shop of Horrors (1960) is Roger Corman’s lean, blackly comic horror bring-your-own-budget B-movie. Set in a rundown downtown flower shop, it follows Seymour Krelborn, a shy, hopeful assistant who discovers a mysterious, talking plant named Audrey II. The plant promises fame and romance but must be fed human blood to grow, pulling Seymour into a web of deceit, crime, and increasingly outrageous consequences. The tone is campy and brisk—part sci‑fi improbability, part dark farce—with rapid-fire dialogue and a streak of satirical social commentary.
Why it stands out:
– A quintessential low-budget film: shot in black-and-white, produced on a shoestring budget, and famously completed in a remarkably short shoot.
– Imaginative puppetry: Audrey II is brought to life through practical effects and puppetry that give the plant a surprising amount of personality.
– Cult favorite status: a landmark in 1960s B-movie cinema and a key stepping stone in the early careers of several actors, including an early screen appearance by Jack Nicholson.
Scared to Death, in the spirit of classic low-budget horror, is a lean, mood-forward chiller that relies on atmosphere over big-budget tricks. Picture a storm-lashed night, a creaking house or seaside shack, and hallways that seem longer than the budget allows, all drenched in practical lighting, fog, and shadow. The score skulks around with theremin wobble and pounding drums, signaling danger before any visible threat appears. Characters speak in earnest, occasionally melodramatic lines that feel earned by the era, while the unglamorous props—from rubber masks to squeaky stair treads—do most of the work in selling fear. Fear is contagious here, built as much through implication and suggestion as through explicit gore, with quick cuts, quick surprises, and a final reveal that’s more satisfying for its campy charm than for realism. The result is a nostalgic, guilty-pleasure experience—cheap, spooky, and impossible to forget for fans of the era’s scrappy, handmade horror.
Horror Express, a 1972 Spanish-British horror science-fiction film directed by Eugenio Martín, unfolds aboard a Trans-Siberian Express returning from Moscow to Spain. A frozen caveman discovered in a Siberian cave is thawed on the train and revealed to be an ancient alien life-form that can possess human hosts and spread through touch, turning passengers into suspects and victims. The claustrophobic setting, practical effects, and the lively clash between Peter Cushing’s scholar and Christopher Lee’s villainous schemer give the movie its distinctive old-school charm. While modest in budget, it blends Gothic mood with pulpy thrills, delivering memorable set-pieces and shocks rather than gore. Over the years it has become a beloved cult classic among fans of Hammer-era horror for its confident performances, atmospheric train-haunted tension, and the undeniable screen chemistry between its two horror legends.
The Invisible Ghost is a 1941 low-budget Universal horror film starring Bela Lugosi, notable for its spare atmosphere and B-movie charm. In a premise that plays on invisibility rather than gore, a man who has vanished after a laboratory experiment stalks his loved ones, using his unseen status to manipulate events and menace the household from the shadows. The movie leans on stark lighting, creaky stairwells, and Lugosi’s somber, imposing presence to conjure suspense rather than spectacle. While it’s not as celebrated as Lugosi’s earlier hits, it’s affectionately remembered by fans as a compact, eerie slice of early-40s horror—an example of how a tight budget could still conjure mood, mystery, and a dash of campy fright.
Battle Beyond the Sun is a 1959 science-fiction film that began life in the Soviet Union as Nebo zovyot (The Heavens Call) and was later released in a heavily re-edited, English-dubbed form by American producer Roger Corman under the title Battle Beyond the Sun. The story follows a multinational crew on a deep-space mission to a distant world, where they encounter dangerous environments and interplanetary threats as they work to safeguard Earth. The movie is best known for its bold practical effects—model spaceships, telecommunication consoles, and alien landscapes—that blend authentic Soviet space imagery with newly filmed American footage. While it reflects the budgetary limits of its era, it’s become a quirky cult classic, valued by fans for its earnest imagination and as a snapshot of how Cold War-era cinema re-packaged foreign sci-fi for American audiences.
Battle of Worlds is a retro sci‑fi ride that captures the brisk, budget‑bright energy of early space cinema. When a mysterious alien vessel arrives on Earth, a mix of scientists, military officers, and a courageous civilian race against time to decipher its intent as chaos and panic ripple through cities. With practical effects, gleaming helmets, and dramatic model landscapes, the film builds tension through escalating encounters, daring spaceflight, and a climactic showdown that tests human ingenuity against a cosmic threat. Its charm lies in earnest performances and a lean, pulp‑paradox pace that never stops to overthink the spectacle. If you’d like, I can tailor the paragraph to a specific version or provide a more factual synopsis with known details
The 1942 adaptation of “The Jungle Book,” directed by Zoltan Korda, is a fascinating blend of adventure and fantasy that brings Rudyard Kipling’s beloved stories to life in a vibrant, cinematic format. Set in the lush landscapes of the Indian jungle, the film follows the journey of Mowgli, a young boy raised by wolves, as he navigates the perils and wonders of the wild. The movie features stunning cinematography, capturing the beauty of the jungle and its inhabitants, including an array of exotic animals, each adding depth to Mowgli’s experiences. This live-action adaptation differs from later animated versions, offering a more realistic portrayal of the animal kingdom and its intricate relationships. Fans of this classic can enjoy it today by streaming on LimitlessBroadcastingNetwork.com. Subscriptions are available starting at $7.00 dollars a month and just 80.00 a year, providing access to a library of timeless films and much more!
“Night of the Living Dead” is a classic horror film directed by George A. Romero, first released in 1968. The movie follows a group of people who find themselves trapped in a farmhouse surrounded by hordes of zombies. As the night unfolds, tensions rise among the survivors, and the struggle for survival becomes increasingly dire. The film is renowned for its social commentary, atmosphere, and chilling portrayal of the undead, making it a seminal work in the horror genre.
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“House on Haunted Hill,” the classic 1959 horror film directed by William Castle, has captivated audiences with its eerie atmosphere and thrilling plot. The story follows a wealthy man who invites a group of people to spend the night in a supposedly haunted mansion, offering them a substantial reward if they can survive until morning. This film is a quintessential example of vintage horror cinema, featuring suspenseful twists and memorable performances. You can now enjoy this chilling classic streaming on LimitlessBroadcastingNetwork.com! Monthly subscriptions are available for just $7.00 dollars and yearly subscriptions are available for $80.00 dollars. Don’t miss out—subscribe now to experience the frightful thrills of “House on Haunted Hill!”
“Dick Tracy Meets Gruesome” is a classic crime film that combines action and humor, showcasing the iconic detective as he battles the sinister Gruesome. This entertaining movie, characterized by its vibrant characters and engaging storyline, showcases the relentless pursuit of justice in a quirky, noir-inspired world. Fans of the original Dick Tracy comics will appreciate the film’s unique charm and vintage feel. You can catch this gem streaming on LimitlessBroadcastingNetwork.com. Be sure to subscribe to enjoy this classic along with a variety of other great titles! Subscriptions start at $7.00 dollars a month and $80.00 dollars a year!
“The Bat,” a 1959 horror film, features a thrilling plot centered around a masked killer who terrorizes a group of people in a secluded mansion. Starring Vincent Price and Agnes Moorehead, the film captures the essence of suspense and mystery, offering viewers a captivating blend of horror and drama that keeps them on the edge of their seats. You can catch this classic film streaming on LimitlessBroadcastingNetwork.comwhen you subscribe. Subscriptions start at $7.00 dollars a month and just 80.00 a year, making it an affordable option for fans of thrilling cinema!
“White Zombie” is a classic horror film released in 1932, directed by Victor Halperin. The film stars Bela Lugosi as the enigmatic and sinister plantation owner, Murder Legendre, who practices voodoo and resurrects the dead as mindless zombies. Set in Haiti, the story unfolds as a young woman named Madeline, played by Madge Bellamy, becomes the object of Legendre’s desire. He uses his dark powers to transform her into a zombie, leading her fiancé, Neil, portrayed by John Harron, on a desperate quest to save her soul. The film is notable for its atmospheric cinematography and Lugosi’s striking performance, which helped establish the archetype of the zombie in popular culture. You can experience this chilling tale and much more when you subscribe to LimitlessBroadcastingNetwork.com, with plans starting at $7.00 dollars a month and just $80.00 dollars a year. Your subscription unlocks access to Rant Radio, “Secrets Uncovered: The Truth Behind Lies” podcast, and a diverse range of additional television programming that caters to all your entertainment needs!
We are excited to announce that the timeless classic, “And Then There Were None,” directed by Renowned Director in 1945 and based on Agatha Christie’s famous novel, is now available for streaming exclusively on LimitlessBroadcastingNetwork.com! This gripping murder mystery unfolds as ten strangers are lured to a remote island, where they are systematically hunted down one by one. An essential piece of cinema history, this film continues to captivate audiences with its intricate plot and psychological nuance, making it a must-watch for mystery enthusiasts and film lovers alike.
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“Dead Men Walk” is a captivating classic horror film released in 1943, directed by John Gilling. The film features the charismatic and talented actor, George Zucco, who plays the dual roles of Doctor Stephen Monroe and his evil twin brother, the sinister and malevolent Count Maryan.
Set in a grim, atmospheric town, the plot unfolds as the townsfolk face a series of mysterious deaths linked to the resurrected Count, who, through his dark practices, seeks vengeance on those who wronged him. With suspenseful storytelling and eerie visuals, “Dead Men Walk” explores themes of necromancy, betrayal, and the eternal struggle between good and evil.
Fans of the macabre and those who appreciate classic horror will find this film to be an intriguing watch, complete with the chilling ambiance typical of early 1940s horror cinema.
Excitingly, “Dead Men Walk” is now streaming on LimitlessBroadcastingNetwork.com! When you subscribe, you will gain access to a treasure trove of classic films and more. Subscriptions start at just $7.00 dollars a month and $80.00 dollars a year, making it an affordable option for movie lovers. Don’t miss the chance to enjoy this timeless classic and explore a wide range of other titles available on the platform!
